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By the turn with the 20th century, amateur advisors and publications were increasingly challenging the monopoly that this large retail companies had on design. English feminist author Mary Haweis wrote a number of widely read essays from the 1880s where she derided the eagerness that aspiring middle-class people furnished their houses based on the rigid models provided to them through the retailers.[10] She advocated anyone adoption of the particular style, tailor-made to anyone needs and preferences on the customer:

"One of my strongest convictions, and one on the first canons of fine taste, is the fact that our houses, such as the fish’s shell and also the bird’s nest, will need to represent our individual taste and habits.
The move toward decoration as being a separate artistic profession, unrelated to your manufacturers and retailers, received an impetus while using 1899 formation from the Institute of British Decorators; with John Dibblee Crace since its president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, ones 10 were women. Rhoda and Agnes Garrett were the initial women to teach professionally as interior designers in 1874. The importance of their focus on design was regarded during the time as using a par to be able of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their tips on artistic interior planning to a wide middle-class audience.[12]

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