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(Created page with "By the turn in the 20th century, amateur advisors and publications were increasingly challenging the monopoly how the large retail companies had on decor. English feminist author Mary Haweis wrote a number of widely read essays from the 1880s where she derided the eagerness in which aspiring middle-class people furnished their houses good rigid models accessible to them from the retailers.[10] She advocated the person adoption of an particular style, [https://venturebeat...")
 
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Latest revision as of 14:54, 23 November 2025

By the turn in the 20th century, amateur advisors and publications were increasingly challenging the monopoly how the large retail companies had on decor. English feminist author Mary Haweis wrote a number of widely read essays from the 1880s where she derided the eagerness in which aspiring middle-class people furnished their houses good rigid models accessible to them from the retailers.[10] She advocated the person adoption of an particular style, tailor-made to the person needs and preferences with the customer:

"One of my strongest convictions, and one with the first canons of fine taste, is the fact our houses, just like the fish’s shell plus the bird’s nest, really should represent our individual taste and habits.
The move toward decoration like a separate artistic profession, unrelated to your manufacturers and retailers, received an impetus with all the 1899 formation from the Institute of British Decorators; with John Dibblee Crace as the president, it represented almost 200 decorators throughout the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the very first women to practice professionally as decorators in 1874. The importance of their work towards design was regarded right at that moment as on the par achievable of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their tips on artistic design to a wide middle-class audience.[12]

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