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By the turn on the 20th century, amateur advisors and publications were increasingly challenging the monopoly which the large retail companies had on home design. English feminist author Mary Haweis wrote some widely read essays from the 1880s by which she derided the eagerness in which [https://de.bab.la/woerterbuch/englisch-deutsch/aspiring%20middle-class aspiring middle-class] people furnished their houses good rigid models wanted to them with the retailers.[10] She advocated the consumer adoption of the particular style, tailor-made to the person needs and preferences from the customer:<br><br>"One of my strongest convictions, and one with the first canons of fine taste, is the fact that our houses, such as fish’s shell along with the bird’s nest, need to represent our individual taste and habits.<br>The move toward decoration being a separate artistic profession, unrelated to your manufacturers and retailers, received an impetus using the 1899 formation in the Institute of British Decorators; with John Dibblee Crace since its president, it represented almost 200 decorators about the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, ones 10 were women. Rhoda and Agnes Garrett were the very first women to learn professionally as decorators in 1874. The importance of their work towards design was regarded during the time as over a par your of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic decor to a wide middle-class audience.[12]<br><br>My web-site ... [https://mirdetstva.printdirect.ru/utils/redirect?url=https://xaydungtrangtrinoithat.com/nha-thau-xay-dung-tai-dong-nai-thi-cong-xay-nha-tron-goi/ xây nhà trọn gói tại tphcm]
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